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「学案」体裁产生的思想背景:从李绂的「陆子学谱」谈起
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作者:黄进兴 来源:汉学研究 年份:1984 文献类型 :期刊文章
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描述: historiography. In this essay, I will try to clarify how Huang's work departs from the older, more traditional styles used by historical analysts. Specifically, the Ming-ju will be examined from the vantage of precendent-in particular, the degree to which it follows the modes of presentation employed by the "intellectual geneaologies" (hsueh-pu or, yuan-yuan lu) and, the extent to which it departs from tradition by transforming content rather than form.
For many, the rise of the school of Wang Yang-ming during the sixteenth century signalled not only a revival of the teachings of Lu Hsiang-shan but also rekindled the intense debates of almost forgotten issues previously argued by those who adhered to the school of Chu Hsi and those who held to the theories of Lu Hsiang-shan. From the middle-Ming period onward, however, the conflicts generated by these two schools of thought began to extend well beyond the realm of academic argument. As both Chan Chien and Ku Yen-wu noted, their bickering began to influence such extra-intellectual areas as how the civil-service examinations should be organized. As these conflicts continued to broaden and to deepen, both schools felt impelled to strengthen their philosophical positions and to purify the accounts of their intellectual origins. As such, the construction of an "intellectual geneaology" became a major device used either to undermine the "legitimacy" of the learning of the opposition or to explain how the contending school had, indeed, inherited the transmission of the true Way.
Since this sort of approach encouraged a strong sense of faction-spirit, it was only a question of time until it would be deemed biased. And, it was precisely because of the unevenness in evaluating issues exhibited by these compilations that Huang Tsung-hsi felt compelled to compose the "Philosophical Records"--a work at once noteworthy for its ability to bring impartiality and objectivity to historical analysis. Yet, if the "Philosophical Records" is juxtaposed against the "geneaologies" the difference between these two works tends to pale when one realizes that the compositional style employed by both is, essentially, the same. Here, the "Philosophical Records" can hardly be viewed as presenting one with a radical departure from precedent. Rather, Huang's work derives its import from the refreshing non-partisan approach it brings to the analysis of historical issues. Instead of writing intellectual history with a view toward proving various predetermined value-judgments, the "Philosophical Records" uses exposition to explore the multifarious realms that inform "historical reality" in all its variety and fullness.
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道统、学统与政统:以朱子《白鹿洞书院揭示》和陆子《白鹿洞书
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作者:郑晓江 来源:教育文化论坛 年份:2010 文献类型 :期刊文章 关键词: 朱熹与陆象山 教育理念与制度 反思与启迪
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描述:通过解读朱熹《白鹿洞书院揭示》和陆象山《白鹿洞书院论语讲义》二篇文献,从道统、学统与政统关系的角度来揭示中国古代书院教育的核心内容与制度,并延伸考察现代中国教育的一些主要问题,并从传统书院教育中获得对促进现代教育发展的某些启迪。
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聂子述和他辑刻的《宋拓郁孤台法帖》
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作者:王天晴 李雪萍 来源:抚州师专学报 年份:2001 文献类型 :期刊文章 关键词: 临川文化 临川文化 聂子述 聂子述 郁孤台法帖辑刻 郁孤台法帖辑刻
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描述:介绍了聂子述和他辑刻的《宋拓郁孤台法帖》,并根据法帖的内容阐述了他的书法艺术性、学术资料性、以及文物鉴赏性等珍贵价值,是古代临川文化的又一个新的亮点。
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春节去浦江闹迎会调板凳龙
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作者:雨蔚 王建平 来源:风景名胜 年份:2007 文献类型 :期刊文章 关键词: 板凳 表演 民间 村民 工艺 开路 广场 非物质文化遗产 百姓 美好生活
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描述:春节搞迎春、调板凳龙,是浦江民间延续了几百年的民间活动,每到新春佳节,浦江地区的乡村百姓都会汇集一堂,用迎会,调板凳龙这种独有的民俗风情来除旧迎新,以求五谷丰收,美好生活。2006年6月2日,浦江迎
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浦江祭祖活动中的板凳龙仪式音乐研究
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作者:姜华敏 方磊 来源:中国音乐 年份:2010 文献类型 :期刊文章 关键词: 祭祖 祭祖 板凳龙 板凳龙 音乐文化 音乐文化 现象描述 现象描述 音乐分析 音乐分析
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描述:德。祭祖活动是依附于宗族组织与村社组织的一种民间祭拜鬼神和祖先的仪式活动。以祭祖、娱人为目的的浦江板凳龙,融汇书画剪纸、民间音乐舞蹈等艺术形式,在古老的龙崇拜仪式中,较好地运用、传承了这些颇具
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体育类非物质文化遗产发展的研究:以浦江板凳龙为例
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作者:施剑冰 舒仁彪 蒋佳伟 刘小璐 来源:运动 年份:2011 文献类型 :期刊文章 关键词: 非物质文化 非物质文化 浦江板凳龙 浦江板凳龙 现状 现状 制作 制作 民间信仰 民间信仰 发展 发展 思考 思考
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描述:的问题等研究,在板凳龙商业开发、利用节日开展活动、政府经费支持等方面提出建议与对策。
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提高文化自觉 加快“两江板凳龙”传承和发展
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作者:廖敏 来源:传承 年份:2012 文献类型 :期刊文章 关键词: 文化自觉 文化自觉 板凳 板凳 精神文化需求 精神文化需求 两江 两江 拼搏精神 拼搏精神 文化建设 文化建设 文化发展 文化发展 民间艺术 民间艺术 现代农民 现代农民 价值体系 价值体系
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描述:文化建设上更加自觉、更加主动。"文化自觉"不是一个抽象的概念或要求,在新形势下,文化自觉在根本上就是要探索文化发展的规律。随着桂林
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国家级非物质文化遗产保护名录项目:浦江板凳龙
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作者:暂无 来源:今日浙江 年份:2013 文献类型 :期刊文章
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描述:国家级非物质文化遗产保护名录项目:浦江板凳龙
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论北泉板凳龙的历史传承与当代体现
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作者:赵倩 来源:艺术百家 年份:2013 文献类型 :期刊文章 关键词: 舞蹈艺术 中华传统文化 北泉板凳龙 发展轨迹 舞蹈特色 现状与传承
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描述:本文运用田野考察、舞蹈生态学以及人类文化学等方法,对北泉板凳龙舞进行了系统的历史梳理和调查研究,尤其是采访请教历代继承人,旨在弘扬民族精神,充实重庆本土民族民间舞蹈文化,促进北泉板凳龙舞更好地传承发展。
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北泉板凳龙来自“袍哥”的酒后乱舞
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作者:李华彬 来源:重庆旅游 年份:2013 文献类型 :期刊文章 关键词: 醉酒 袍哥 北碚区 发源地 动作
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描述:——"板凳舞".后来,北泉村人舞板凳时的动作越来越偏向舞龙,"板凳龙舞"渐渐取代了"板凳舞"这个称谓,为了音律和谐简化之后就叫做了现在的"板凳龙".